Edward Burne-Jones at Tate Britain

Burne-Jones was one of the last of the Pre-Raphaelites, taking the movement towards Symbolism. While still calling on the stories of myth and legend, his work reflected more on mood rather than the realistic depiction of the natural world, which had been at the heart of the original Pre-Raphaelite Movement.


From his Fulham studio, alongside paintings, he also produced stained glass, tapestry, furniture and jewellery - which was very much in the ethos of the Arts and Crafts Movement of William Morris and Pre-Raphaelites such as Dante Gabriel Rossetti.

Having met William Morris and Rossetti, he abandoned his original studies and turned instead to creating works of brilliant colour and intensity.


Like William Morris, he made no distinction between art and craft and became one of the main designers for Morris & Co. Taking inspiration from Edward Burne-Jones’ love of colour and his interest in family and home, we have sourced some furniture and furnishings to cosy-up-with during the cold winter months, conjuring up the lushness expressed in his work.

Sofa Workshop have a range of sofas which work well in both a neutral interior or with darker tones as seen here.

Sofasofa reflect painterly colours and hues, seen in many of Burne-Jones paintings including the subtle variations of colour reflected in this selection.


We especially love the range from Neptune, a company we have featured before. Their respect for natural materials and craft is at the heart of their products. This range of soft furnishings from their collection both reflects the colours and the ethos of the Arts & Crafts Movement.

The Grange

The Grange

Further inspiration from Burne-Jones own home ‘The Grange’….

Also try creating your own Pre-Raphaelite moodboard using Designers Guild easy online tool.



Sir Edward Coley Burne-Jones  Detail from The Annunciation

Sir Edward Coley Burne-Jones Detail from The Annunciation

Anni Albers at Tate Modern

Galleries and museums didn’t show textiles, that was always considered craft and not art. When it’s on paper it’s art. Anni Albers 1984

Anni Albers, one of the foremost textiles designers of the twentieth century, is finally getting long overdue recognition in a major exhibition of her work at Tate Modern. Three hundred and fifty items will be on display including drawings and prints. Her weavings, often referred to as ‘pictorial weavings’, played an important role in re-defining craft as an art form.

Anni Albers  Study for Unexecuted Wallhanging,  1926 © The Josef & Annie Albers Foundation

Anni Albers Study for Unexecuted Wallhanging, 1926 © The Josef & Annie Albers Foundation

As a young female art student at The Bauhaus School in the 1920’s, with a preference to becoming a painter, she was encouraged to take up weaving, then perceived as women’s art and therefore a more suitable course for the female students, textiles would become her key mode of artistic expression.

Anni Albers  Card Weaving at Black Mountain College  © State Archives of North Carolina

Anni Albers Card Weaving at Black Mountain College © State Archives of North Carolina

Many of her designs were inspired by the work of her teacher, the artist Paul Klee and fellow student & husband, Josef Albers. Ironically her woven wall hangings, shawls and blankets became one of the most successful products to come out of the school.

Her truth to materials, adherence to hand-crafting traditions combined with her modernist geometric patterns and the inclusion of the new synthetics also informed a more aesthetic approach to mass production.

Anni Albers  Intersecting,  1962 © The Josef & Anni Albers Foundation / ARS / DACS

Anni Albers Intersecting, 1962 © The Josef & Anni Albers Foundation / ARS / DACS

Albers was fascinated by the traditional uses of textile and thread-making yet while adhering to traditional techniques she was also keen to produce items that combined aesthetic appeal with functionality.

Mass produced furniture and textiles play an important and essential part in our domestic lives, but the ancient arts of weaving and hand production are becoming ever more popular and a number of manufactures, artisans and craftspeople are responding by revitalising these traditions.

Angie Parker Textiles

Angie Parker Textiles

We took a look at some contemporary furnishings and fabrics currently available - many of which are inspired by Anni Albers and by traditional creative processes - and how we can integrate these ideas into our own interiors.

Bristol based, Angie Parker weaves intricate rugs, on a Glimakra Floor loom, she describes her beautiful rugs as ‘floor art’ and we have to agree, they are meticulously woven in re-claimed wool in a palette of unashamed bright colours. Watch her video below.

Christopher Farr Cloth designs bespoke fabrics using both digital and hand printing techniques drawing inspiration from a variety of creative sources including among others the design influence of Anni Albers.

Christopher Farr Cloth

Christopher Farr Cloth

We particularly like the textiles from Royal College of Art trained artist, Margo Selby. Weaving and high quality fibres are at the heart of her gorgeous textiles which include furnishing fabrics, rugs, art pieces and accessories all of which can be integrated into both traditional and contemporary interiors

Margo Selby

Margo Selby

All of the designs from Eleanor Pritchard are woven by highly skilled British weaving mills. Many use traditional shuttle looms in Lancashire, West Wales and Bute off the coast of Scotland. Like the Anni Albers designs many have a strong graphic quality with pared back geometrics using inky tones and occasional sharp accent colours, and again, work well in both contemporary and traditional design schemes. An exclusive granite colourway of Eleanor’s Dovetail Design has been made especially for the Anni Albers retrospective at Tate Modern.

Eleanor Pritchard’s Dovetail Granite blanket for Tate - Photo: Elliott Denny

Eleanor Pritchard’s Dovetail Granite blanket for Tate - Photo: Elliott Denny

Anni Albers is at Tate Modern until 27 January 2019

Click here for more information

Anni Albers  Untitled , 1941 © The Josef & Anni Albers Foundation

Anni Albers Untitled, 1941 © The Josef & Anni Albers Foundation

Decorex International

London Design Festival 2018 is taking place between 15–23 September at a number of venues across London. It encompasses exhibitions, events and installations as well as being a showcase for some of the most talented and innovative designers. 


Decorex International is a Partner Organisation of The London Design Festival. It’s a little further out of central London than many of the other contributors, but it’s definitely worth the journey to see so many brilliant designs in the gorgeous surroundings of Syon Park. Here were some of the exhibitors who caught our eye…

Jonathan Rogers - STAND K54

Rogers creates glass vessels using traditional blowing and finishing techniques, the finished pieces are understated and fluid, beautifully reflecting colour and light.

Bethan Gray - STAND B29

Bethan Gray’s design philosophy draws on various cultural references, combining contemporary practice with classical craft traditions of the East and West. Her signature style includes the use of luxurious materials with purity of line. 

Amy Kent Bespoke Rugs - STAND E40A

Amy Kent’s range of bespoke rugs is a beautiful collection of hand-made rugs, crafted in India and Kathmandu. The range combines a look that is both classic and contemporary, fitting in with either modern and more traditional interiors. 

Blackbird - STAND F28

Alongside an eclectic collection of lighting, mirrors, tables and home accessories, Blackbird is launching a new bespoke range at Decorex this year.

Paint and Paper Library - STAND C31

Paint and Paper Library offers a fabulous, carefully curated palette of over 180 unique colours, including a traditional, historical and a contemporary range to which they have added a range of wallpapers. 

A Rum Fellow - STAND A41

Finally we enjoyed what A Rum Fellow have to offer this year as we love their ethically produced artisan rugs and textiles which blend with both contemporary and traditional interiors.

Find out more about the London Design Festival here.

Royal Academy Summer Exhibition 2018

"It's a celebration of making stuff!" Grayson Perry RA.


The Royal Academy 250th Summer Exhibition is in full swing until August 19th. As the largest open submission exhibition in the world unknown, emerging and lesser known artists have the opportunity of seeing their work displayed among the work of the famous.

© Royal Academy of Arts

© Royal Academy of Arts

The summer show has run continuously for 250 years and this year proves to be one of the most colourful shows so far... as we would expect having been coordinated by Grayson Perry RA.

© Royal Academy of Arts

© Royal Academy of Arts

Looking around  at the eclectic selection of painting, sculpture, film and prints which are highly representative of what is happening in the contemporary art world, I wonder what early critics would have made of today’s selection! 

Joana Vasconcelos - ROYAL VALKYRIE - on display in the Wohl Central Hall

Joana Vasconcelos - ROYAL VALKYRIE - on display in the Wohl Central Hall

It is hard to believe that in the late 1800’s the then rebellious young Pre-Raphaelite painters were vilified by the press and public. Even the great writer Charles Dickens, railed against their "wasted talent"! When Millais’ painting of Ophelia was displayed in the Summer Exhibition of 1852 critics slated it, now of course it is one of the gems of Tate Britain’s collection. The two buildings of the Royal Academy were recently united with a new corridor where Millais' paint palette is on display. Clearly, he was eventually forgiven!

The artworks spill over into a greater area than in past years, and as this is a celebratory year there are plenty of other activities, talks and workshops taking place. Don’t miss The Great Spectacle or the Friday Lates when the gallery stays open until 10pm, and enjoy music and a cocktail in the courtyard from the comfort of a deckchair.


With so much on view it’s hard to make a choice... we’ve made a pick of some of our most coveted from around £400 to £50,000.



Affordable Art Fair and Ceramic Art London 2018

Two upcoming fairs to watch out for in London this March are the Affordable Art Fair in Battersea 8th – 11th March and Ceramic Art London at Central Saint Martins 23rd – 25th March.


The Affordable Art Fair is an opportunity to find contemporary art for your home for all tastes and budgets. Inspiring work in a variety of mediums will be on display ready to buy and take home with you. It should be a fun way to browse, as well as the art  on show, there will also be plenty of creative inspiration with free talks and interactive installations.There are over 100  galleries on show and  there will be expert gallerists on-hand to guide you.

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The Craft Potters Association will again present Ceramic Art London hosted by Central Saint Martins. Over ninety of the world's most talented ceramic artists will show and sell their work and for the first time students of CSM will host a ceramic studio where they will make new work in front of the live audience so we can see just how it’s done! This will be a truly immersive experience as visitors will also be allowed to comment on the direction the pieces take as they are made. Here is our own preview of some of the very covetable items you can expect to find.

Carina Haslam Art Stand E5. We loved Alison McWhirter’s studies of flowers, she often mixes paint directly onto the canvas, which adds to their sense of vibrancy and spontaneity.

Edgar Modern Gallery Stand H10. We have selected a number of artists represented by the gallery which we found particularly appealing.

Henrietta Dubrey describes her work as abstract, gestural, and autobiographical... and can’t wait to see them at the Fair

Jessica Cooper RWA. Jessica's work relies on economy of detail - objects and shapes are represented in their essential outline. We love their immediacy and sense of vigour.

Mhairi McGregor RSW uses a limited palette of colours, layering the paint to create these inspiring landscapes.

Grandy Art Stand 5, will be showing a collection of new work by their portfolio of emerging British artists. Here are some which caught our eye.

VJ Keegan has earned a reputation for her fluid painterly style evident in her beautiful still life paintings.

Stephen Palmer paints directly from the local landscape, we loved these French and English scenes. 

As well as some very beautiful ceramics on show and to buy, there will be a programme of ‘Claytalks’ starting on the opening day with contemporary artist and Turner Prize winner Grayson Perry’s talk, ‘My Cup of Tea’.


Talking of 'My Cup of Tea'... Sue Pryke creates affordable, functional ceramics using studio slipcasting inspired by the everyday intuitive decision-making we all make on a daily basis when choosing what cup to take from the cupboard for a cup of tea.

Hyu Jin Jo creates a basic shape and then adds intricate textures to the thrown piece. This gives the pieces individuality while incorporating a sense of Korean traditional craft skills. 

Sasha Wardell makes individual bespoke vases, bowls, lighting and tea ware that combine her beautiful craft-making skills.

Rhian Malin's elegant hand-painted porcelain vessels with cobalt-blue decoration are inspired by Willow Pattern. 

The Affordable Art Fair in Battersea Park is open from 8th until 11th March.

Ceramic Art London at Central Saint Martins is open from 23rd until 25th March.

Visit their websites to find out more and to book tickets.

The New Kettle's Yard

'A living place where works of art could be enjoyed... where young people could be at home unhampered by the greater austerity of the museum or public art gallery.' Jim Ede.


Kettle’s Yard house and gallery in Cambridge has just reopened after a two year make-over and extension to its site, it now includes a café and gift shop. However, the original building remains the same and the eclectic collection of its founder Jim Ede is still displayed exactly as before.

Kettle's Yard

Kettle's Yard

What makes Kettle's Yard so unique and magical, setting it apart from any other gallery space, is that the modest row of interconnecting houses remain set up as a home. The style is simple and unpretentious, just as when Ede lived there, with sofas, tables, chairs and bookshelves and his collection is displayed without curators notes or labels.

Kettle's Yard

Kettle's Yard

Originally, the now iconic Kettle's Yard, was a row of small dilapidated workman’s cottages which Jim Ede, a former Tate curator, acquired and converted into a home for himself and his art teacher wife Helen in 1956.

Ede was an avid collector of modernist British and European ceramics and artworks and amassed a collection which includes paintings by Ben and Winifred Nicholson, Alfred Wallis, Christopher Wood, David Jones and Joan Miro, as well as sculptures by Henri Gaudier-Brzeska, Constantin Brancusi, Henry Moore and Barbara Hepworth.

Jim Ede would display a simple swirl or dish of pebbles with as much respect as he displayed a precious piece of pottery, displaying art and non-art pieces alongside each other.

Kettle's Yard

Kettle's Yard

Later he donated the entire collection and the house to Cambridge University, at which time its reputation as a place to visit with reverence grew. His style was based on simplicity and he aspired to create for each room "an atmosphere of quiet and simple charm". The house retains that charm alongside the history it carries within the carefully curated objects. 

We love the effortless style of the home Jim Ede created and the skill of the curators eye which he transferred from his time at the Tate gallery to his own home. We can all use our creativity to curate personal collections or memorabilia and, as Ede has shown in his shell and pebble collections, it’s often how we choose to show those items that is as important as the items themselves. Curating your own collection and changing things around regularly not only brings out our creativity but can make us see things afresh – we may not all own a Lucie Rie dish or a Miro painting but here are a few key ideas to get things started!

For a contemporary take on Jim Ede’s rocking chair and upholstered furniture, try Arlo & Jacob...

We really love the way the paintings and prints are grouped together, sometimes in quite unexpected places, and framed in simple wooden frames allowing the pictures to stand out and also unifying them. Try framing family photographs and prints in matching frames and creating your own gallery to add interest to a stairway or hall for example.

For its clean lines and simplicity, the Galvin Brothers handcrafted furniture is traditionally built but with a contemporary twist.

Have fun curating your own items, and if you want to collect on a shoestring try Habitat for very affordable studio-style pottery or for the real thing go to Maak who will be holding a contemporary ceramics auction in May (online preview from 27 April).

Kettle's Yard, Castle Street, Cambridge


Kettle's Yard

London Art Fair 2018

The 2018 London Art Fair gives access to an incredible collection of modern and contemporary art and a unique insight into the international art market. The fair has been running for over 30 years and has become a recognised destination for museum quality work.

The Fair runs from 17 January 2018 and we took a sneak peek at what's in store from some of our leading art dealers and collectors.


The Alan Wheatley Gallery is just a stone’s throw from the Royal Academy and situated in the heart of St. James’s at 22 Mason’s Yard, SW1. The gallery offers a diverse collection of British and International Modern paintings and sculpture from the latter half of the Twentieth Century with a particular emphasis on Post-War British Art.

L-R: Bridget Riley, Ivon Hitchens, Patrick Heron


Bernard Chauchet, based in London’s Hollywood Road, specialises in contemporary paintings and sculptures with artists from across Europe and the USA. As well as presenting established 20th and 21st century painters, Chauchet also promotes the work of a younger up-and-coming generation of artists.

The work of Gioacchino Pontrelli was of particular interest to us as he often draws on images taken from interior design magazines, which he re-interprets onto canvas.


John Berwald has been dealing in Chinese Ceramics for over thirty years from his New York and London galleries. He also has a very select stock of Modern British paintings and sculptures, and the juxtaposition of these two very different cultures and eras is something we found both fascinating and very much in line with our own ethos of mixing antique and contemporary.

We were particularly impressed to see the vibrant work of John Hoyland juxtaposed with antiques and traditional furnishings.


Joanna Bryant & Julian Page individually support and represent carefully selected contemporary artists working in London. Since 2015, they have been frequently working in a collaborative partnership by presenting their artists’ work alongside more established artists. By representing emerging artists alongside such famous names as Tracey Emin and Peter Blake, they are also able to offer a number of highly affordable original artworks many of which fall within £1,000-£5,000 price range. Here are some which particularly appealed to us and fall within this lower price bracket.

Ruth Solomons is a British artist, who uses materials which to many would appear to be simply discarded items from her studio. She transforms these pieces by creating collages incorporating paint-splattered pieces of wood and fragments of old paintings adding her unique painterly gestures, creating pieces which have their own history.

Another artist who utilises found objects is Spanish artist Silvia Lerin, who lives and works in London. Her work stems from an interest in the relationships between shapes, volumes, colours and textures and their resulting presence. Inspiration may come from found objects and remnants of objects that carry stories.

The abstract works of Chris Sims, draw inspiration from the English landscape. Using inks, paints, charcoal and other mediums, he utilises a dynamic layering technique resulting in highly emotive and evocative work.


The Gallery in London’s Brompton Road was originally established in 1949 by Andras Kalman who felt strongly that art should intimately move and nourish the viewer. As interior designers we value the importance of key artwork to provide a focal point and personalise an interior.

Sally and Andrew, Kalman's children, continue to run the gallery along with Robin Light who joined the business in 1986.

Sonia Delaunay

Winifred Nicholson

Jacqueline Marval

Kate Corbett-Winder

The 2018 London Art Fair runs from 17-21 January at Islington's Business Design Centre.

Visit the website to find out more and to book tickets.



Impressionists in London

French Artists in Exile (1870-1904) - Tate Britain

Tate Britain’s current EY Exhibition tells the story of the artists who fled to Britain in the 1870’s to escape the Franco-Prussian War and insurrection in Paris. 

When we think of Impressionism, many of us immediately imagine the muted colours of Monet’s Waterlilly paintings, but this exhibition includes not just familiar tones, but also figurative works of London scenes such as James Tissot’s London Visitors (1873) and Monet’s Meditation, Mrs Monet Sitting on a Sofa (1870-1871). 

In many ways their inclusion provides a wider view and a fascinating insight into the connections these artists made with British social life.

A room is dedicated to Claude Monet’s studies of the Thames and the Houses of Parliament, painted in his iconic style.

Further paintings, including a number by Pissaro, who lived in the Crystal Palace area while in London, inspired us to put together our own moodboard to reflect the familiar muted shades we associate with the Impressionist style.

We took additional inspiration from Dulux paints. Changing a wall colour, adding some colour to an otherwise neutral palette or simply changing the colour of a few accessories can really change the mood of your interior.

These velvet cushions and bedding from west elm are ideal for cosying up the bedroom and their crinkle lush velvet cushions could also provide just the right impression in the living room, giving a quick seasonal makeover for chilly evenings. Monet said: “Colour owes its brightness to force of contrast rather than to its inherent qualities” – and this is why he chose to use orange and blue in several of his paintings. These two hues create a vibrant contrast as illustrated on the Grey Hamilton Sofa by flashes of turqoise and orange cushions.

Or try one of their rugs such as Flame or Verve, in a variety of colourways which also echo the hues and textures of the Impressionist style.

Accessorizing with a personal collection such as vases or ceramics which draw on a single colour spectrum creates a focal point - such as this collection from west elm.

The EY Exhibition Impressionists in London is on now at Tate Britain until 7th May 2018

Find out more here

Fashion and Textile Museum

British Textile Design with Wallace Sewell

The current show, at one of our favourite museums, is a 25 year celebration of the textiles of Harriet Wallace-Jones and Emma Sewell. Graduates of The Royal College of Art, their work can now be found in around 300 stockists in 20 countries, including prestigious art galleries such as Tate in London and MOMA in New York. 

Their work echoes the aesthetic and ideology of the Bauhaus movement. Based between London and Dorset, their designs take inspiration from the textures and colours of both the countryside and cityscapes. Their manufacturing methods embrace traditional techniques such as hand-looming while fusing tradition with modern technology.

With colder weather on the horizon what better way to cosy up than with one of their signature pieces, a waffle blanket or a pinstriped lambs-wool or Shetland throw.

We are feeling especially envious of these lambs-wool block throws which perfectly echo the Bauhaus influence, particularly the designs of the female weavers of the movement, such as Benita Koch-Otte but with Wallace Sewell’s modern take. 

Woven Bauhaus textile by Benita Koch-Otte 1923

Wallace Sewell’s collaboration with West Elm, a Brooklyn based company with a strong fairtrade ethos and a commitment to sourcing ethical materials, has produced a very beautiful range of throws, wool dhurries and cushions.

This year Wallace Sewell launched a range of exquisite, hand knotted lambs-wool rugs, inspired by their collection of throws - they work particularly well when incorporated alongside them in an interior.

With Christmas just around the corner, Wallace Sewell have produced a number of items which would make perfect gifts. With scarves, cosmetic bags, coin purses, ties and totes all produced using their iconic textile designs there’s something for every member of the family … Christmas solved! Click here to see more.

Some items have been produced in collaboration with Tate Britain and have a distinctly arty style. The blue tones of this wool scarf are inspired by Whistler’s Nocturne: Blue and Silver Chelsea.

The bright colours of this scarf are inspired by Derain’s The Pool of London, and has been designed by Wallace Sewell specially for Tate Britain’s latest exhibition Impressionists in London.

Wallace Sewell: 25 Years of British Textile Design at the Fashion and Textile Museum is on now until 21st January 2018

Find out more here

Winter Art & Antiques Fair Olympia

The Winter Art & Antiques Fair at Olympia focuses on an eclectic mix ranging from antique to modern, from the ‘traditional to the quirky’.

Winter Art & Antiques Fair

Olympia 2017

At Devas Designs we love mixing the old with the new; contemporary pieces combined with decorative items and furniture which have their own history, to create inspiring, comfortable and stylish interiors. We are regularly asked to source rugs, artworks and paintings as inspiration for an interior project or to create a focus for the clients own treasured collection.

This ethos is at the heart of our interior design and the Fair with its huge array of items from £100 to £1,000,000 should prove a source of inspiration both for interior designers and collectors alike.

With a treasure trove of over 33,000 pieces for sale including art, antiques, furniture, sculpture, jewellery, ceramics, textiles and collectors pieces, all under one roof, we have put together just a small selection from the showcase of over 90 exhibitors.


As well as specialising in sculpture, Didier Marien of Boccara is a leading expert on modern tapestries, silk rugs and customized rugs.

We particularly love his collection of original tapestries by Sonia Delaunay


With over 20 years in the art business Angus Broadbent stocks and sources an inspirational mix of fine art prints and paintings which fit a variety of interiors from contemporary to traditional.